The first actor ever to achieve back-to-back Oscars did so through conventional means rather than groundbreaking performances. Spencer Tracy secured his initial award for the 1937 hit film “Captains Courageous,” where he portrayed a Portuguese fisherman tasked with mentoring a troubled youth. The following year, Tracy clinched another Oscar for “Boys Town,” a film inspired by a true story about a dedicated Catholic priest who established a boarding school for underprivileged children.
While accepting the award, Tracy humbly redirected the honor to the real-life Father Flanagan, whom he later presented the statue to. Comparing this historical success to the contemporary release of “Steve,” a film starring Cillian Murphy and recently premiered at the Toronto International Film Festival before its Netflix debut, shows a recurring theme in cinema.
“Steve,” an adaptation of Max Porter’s novella “Shy,” delves into themes of depression and abuse within a school for troubled youth. Directed by Tim Mielants, the movie offers a unique perspective by focusing on the school’s headmaster, played by Murphy, who struggles to maintain order as the institution faces closure. The narrative unfolds through the lens of various characters, capturing the essence of the school environment rather than following a linear plot.
The film’s impressionistic style, reminiscent of literary works like “Skippy Dies,” immerses viewers in a complex web of trauma and human connection. Despite some narrative shortcomings, “Steve” resonates with audiences drawn to stories of resilience and empathy in the face of adversity. The portrayal of troubled youth grappling with life’s challenges strikes a chord with viewers seeking a glimpse of hope amid turmoil.
