Writer and director Charlie Polinger’s debut film, “The Plague,” delves into the familiar territory of a water-polo camp in 2003, examining the complexities of childhood against a horror backdrop. The film, while not groundbreaking in its premise, captivates viewers with its authentic portrayal of tween protagonist Ben’s struggle to navigate the conflicting pressures of fitting in and staying true to himself.
Ben, sensitively portrayed by Everett Blunck, grapples with the challenges of adolescence, particularly the tension between seeking acceptance from his peers and the fear of exclusion. Leading the pack of young swimmers is the manipulative Jake, played by Kayo Martin, whose control over the group is both chilling and disturbingly real.
As the story unfolds, the introduction of Eli, a camper ostracized for a skin condition dubbed “the plague,” adds a sinister layer to the narrative. The concept of the plague serves as a metaphor for the darker aspects of human nature, fueling the boys’ descent into cruelty and division.
Drawing parallels to the classic novel “Lord of the Flies,” Polinger’s film explores themes of tribalistic violence and the fragility of societal norms. Through the exceptional performances of the cast, particularly Blunck and Martin, the movie delves into the psychological dynamics of adolescence with a raw and unsettling realism.
Unlike traditional narratives that use children as symbols to reflect adult behavior, “The Plague” focuses on the tumultuous journey of growing up, highlighting the disorienting nature of adolescence and the sacrifices one makes to maintain their identity. Through improvised dialogues and meticulous character development, Polinger crafts a visually stunning and emotionally resonant film that challenges viewers to confront the darker aspects of human nature.
In a cinematic landscape filled with cliches and predictable narratives, “The Plague” stands out for its nuanced exploration of youth, identity, and the haunting realities of growing up. It is a compelling reminder of the complexities and horrors of adolescence, making it a standout entry in the genre of coming-of-age films.