In literature, the term “cosy” traditionally refers to mysteries and romances that lack explicit language, violence, or sexual content. These stories typically focus on well-developed characters, charming settings, and lower-stakes plots.
If you’ve visited a bookstore recently, you may have come across a display featuring cosy books such as Joss Richard’s “It’s Different This Time” or Richard Osman’s “The Thursday Murder Club.” These cosy tales are often marketed as perfect reads for the fall and winter seasons and have gained popularity in recent times.
While cosy mysteries and romances are not new, the term “cosy” now extends to various genres like cosy fantasy, exemplified by Travis Baldree’s “Legends and Lattes,” and even cosy horror, as seen in Silvia Moreno-Garcia’s “The Bewitching.”
For instance, “Legends and Lattes” follows an orc stepping away from battle to open a coffee shop in town, while “The Bewitching” portrays three generations of women facing witchcraft in picturesque settings like a New England college town and the Mexican countryside.
CBC Books producer Lucy Mann appreciates the expanding use of “cosy” across genres, attributing the appeal of cosy books to their ability to offer escapism and comfort. She finds solace in reading books that feel like a warm embrace.
Regarding the paradox of finding comfort in murder mysteries, Vancouver author Iona Whishaw humorously points out that the atmosphere and setting of a book, along with the reading environment, can create a cosy experience.
Whishaw, known for her Lane Winslow Mystery series, views cosy books on a spectrum, ranging from light character-driven tales set in fictional towns to more literary crime novels with a compassionate touch. Her own novels strike a balance, featuring engaging settings, endearing characters, and a touch of humor.
The rise of cosy books as a trend is evident in the industry, with retailers like Indigo reporting a surge in sales and online searches for cosy-themed books. Rachel Law from Indigo notes the evolving definition of cosy books, with debates arising over whether certain titles are too dark to be considered cosy.
Ultimately, Law believes that cosy books offer a respite from the overwhelming news cycle, highlighting positive aspects of life and encouraging readers to find joy in quiet moments and simple pleasures. Mann echoes this sentiment, emphasizing the enduring appeal of cosy books in providing comfort and stability during turbulent times.